Genre: Masculin
Bart Whiteman was a Washington, D.C. theatre actor, director, and producer. He founded the Source Theatre in 1977 and served as its artistic director until 1986. He was influential in defining theatre in Washington as well as reviving 14th Street. According to Christopher Henley, artistic director of the Washington Shakespeare Company, "Bart was one of the half-dozen or so of the most seminal influences on and pioneers of what theatre in D.C. was and has become. He was part of that synergy -- along with Joy [Zinoman, founding artistic director of the Studio Theatre] and Tony Abeson [founder and director of the Washington Theatre Laboratory] -- that really began the small professional theatre movement in D.C. in the late 1970s." Trey Graham of the Washington City Paper said that the richness and diversity of modern-day Washington theatre "had a lot to do with his role as evangelist and cattle prod and crazy-ass visionary." Whiteman left the Source Theater after an incident in which it produced Fool for Love and A Streetcar Named Desire without paying royalties. Later, he became a theater teacher at Montgomery Bell Academy in Nashville, Tennessee and wrote editorials and theater reviews for The Chattanoogan in Chattanooga, Tennessee.
Source: Wikipedia | Last updated on May 4, 2024
Sur le nom Bart Whiteman, Bart signifie From the Barley Farm, Place Name, Barley Settlement, Bright Raven, Form of Bartholomew, Hill.
The name Bart Whiteman est often used as a Masculin nom and is mostly used as a Prénom.
Bart est communément trouvé dans Netherlands, Belgium, United States of America, et 81 autres pays.
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Apprenez à prononcer correctement Bart Whiteman en écoutant nos 15 prononciations audio. Cliquez pour entendre chaque prononciation autant de fois que nécessaire pour la maîtriser.
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Découvrez comment Bart Whiteman pourrait être prononcé dans différentes langues ou accents. Sélectionnez parmi les langues disponibles dans le menu déroulant et cliquez sur 'Prononcer' pour entendre Bart Whiteman.
À NamesLook, le nom Bart est enregistré 31,887 fois à l'échelle mondiale, le classant comme le 2,080ème nom le plus commun dans le monde.
Bart est le plus répandu en Netherlands, avec 16,005 occurrences, ce qui en fait le 17ème nom le plus populaire dans le pays.
En Netherlands, le nom Bart se trouve parmi 1 personne sur 24, montrant ainsi sa plus haute fréquence là-bas.
| Pays | Rang | Fréquence |
|---|---|---|
| Netherlands | #17 | 1 : 24 |
| Belgium | #12 | 1 : 30 |
| United States of America | #1,758 | 1 : 874 |
| United Kingdom | #1,914 | 1 : 1,114 |
| France | #3,028 | 1 : 2,672 |
| Italy | #3,399 | 1 : 2,474 |
| Poland | #401 | 1 : 197 |
| Canada | #2,151 | 1 : 1,619 |
| Mexico | #4,065 | 1 : 4,331 |
| South Africa | #6,717 | 1 : 12,213 |
Ce graphique affiche le classement du nom Bart de 1980 à 2022, basé sur les données les plus récentes de l'Administration de la Sécurité Sociale des États-Unis.
Bart Whiteman was a Washington, D.C. theatre actor, director, and producer. He founded the Source Theatre in 1977 and served as its artistic director until 1986. He was influential in defining theatre in Washington as well as reviving 14th Street. According to Christopher Henley, artistic director of the Washington Shakespeare Company, "Bart was one of the half-dozen or so of the most seminal influences on and pioneers of what theatre in D.C. was and has become. He was part of that synergy -- along with Joy [Zinoman, founding artistic director of the Studio Theatre] and Tony Abeson [founder and director of the Washington Theatre Laboratory] -- that really began the small professional theatre movement in D.C. in the late 1970s." Trey Graham of the Washington City Paper said that the richness and diversity of modern-day Washington theatre "had a lot to do with his role as evangelist and cattle prod and crazy-ass visionary." Whiteman left the Source Theater after an incident in which it produced Fool for Love and A Streetcar Named Desire without paying royalties. Later, he became a theater teacher at Montgomery Bell Academy in Nashville, Tennessee and wrote editorials and theater reviews for The Chattanoogan in Chattanooga, Tennessee.
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